Monday, 31 October 2016


At the beginning of 2000 during a 9 month residency as visiting artists at the Department of Performance of the Queen Mary University in London we wrote a 50 minute mini fake-opera/novela for 1 voice, electronics and piano called Verité. Here is some of rare footage the piece which tells the story of 2 Brazilian passport forgers & a French privileged student who crossed paths in Paris in 1968. 
File under white bureaucracy, multi-nationalities, sex maniacs, l'écriture et la différence, visas, cultural grants and bursaries, socialism, sublimations, de-sublimations,1968.

Performed at the Harold Painter studio at Queen Mary University, London, Feb 2000.

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