TETINE

Wednesday, 19 June 2019




SHAFT ABRE CAMINHO PALO SANTO // 
TETINE (BRUNO VERNER, ELIETE MEJORADO) + ANDERSON BORBA

Key 001 – Radioactivity is in the air for you and me 

The anti-sacred mutant tropical punk-funk aesthetics of Tetine (Bruno Verner + Eliete Mejorado) as hairy hydras who do not spell ‘A. R. T.’ - for poetic reasons many will understand one day- join forces with London-based Brazilian (Santista) artist, sculptor Anderson Borbato bring you what (they)-(we) have been calling SHAFT ABRE CAMINHO PALO SANTO, an experiment, a no-show shout, a moment, a shellshock in the form of an ancestral cosmic futuristic weekender, or better, an anti-pompous sculptural-textual-sonic exhibit/elixir taking place at SET DALSTON on 5th of July from 6 pm – 9pm.  

SHAFT ABRE CAMINHO PALO SANTOis a re-inhabitation, re-corporification; a transitory reengineering of temporal syntactic and physical-sensorialutopian accumulations, feelings and memories, countering straight timeand the current territories of neoliberal psychism, animated by the digital & analogic logics of semantico-mathematical ABCs of structures and numbers. The shout is still in process, the moment in constant movement at each hour, minute, second; tasted, sucked and then cannibalized from massive portions of distinct (and vivid) temporalities. The no-show being constantly & unregretfully practiced in the matrix, or else, uninterruptedly originated (there’s no beginnings or ends) as it manifests itself through magick, through sound (and then vision), through film, touch, sex, gozo, odour in mutant machines of lust.

From our first pulsations, 6 months ago, when the hydras collectively anticipated the expectations of such a “not-yet” cut [happening] in space and time, intensely relational with other pasts and worlds. Tarot or I Ching? 

Key 002 - We are showroom dummies.

Key 003- I'd rather be a dick than a swallower.

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Friday, 14 June 2019

Salvation

Nada contra a Glenn Greenwald, acho ela muita necessária e gosto dela mesmo assim, mas a trajetória brasileira de salvação é sempre a mesma, não? Jesuítas, David Byrnes, Diplos, Glenns, curadores de arte, festivais de drink, um sintoma fortíssimo desde 1500. Deuses ex machinas.

Nothing against Glenn Greenwald, I find her much needed and I like her very much, but the Brazilian trajectory of salvation is always the same. Jesuits, David Byrnes, Diplos, Glenns, art curators, drink festivals, a very strong symptom since 1500. Gods ex Machinas.

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Wednesday, 12 June 2019

ELETRONICA: MENTES


Alo Alo Attention Atencion Atenção!! Don't miss this if you're in Sao Paulo this week!
Première of Eletronica:Mentes - a film by Dácio PinheiroPaulo Beto & Denis Giacobelis on the development of electronic music in Brazil and its unfoldings - featuring the work of Jocy de Oliveira, Jorge Antunes, Dino Vicente, Apolo 9, Anvil Fx, Tetine, Rakta, Arthur Jolly, Juliana R, Akira S, Tony Da Gatorra, Eloi Chiqueto, Boss in Drama, Fronte Violeta, The Radio Droids amongst many others great artists. Check out the trailer here.
When: June 16 at In-Edit Brasil
showing at Spcine Olido: 16/06 – 16h
- Z Largo da Batata: 18/06 – 21h | Sessão seguida de show, às 22h30. - Cine Matilha: 20/06 – 20h
Uma profunda investigação sobre o desenvolvimento da música eletrônica no Brasil e seus rumos. Já nos anos 1960, os pioneiros Jocy de Oliveira e Jorge Antunes já faziam seus primeiros experimentos no universo eletrônico.
Ao longo das décadas, o avanço tecnológico barateou e democratizou o acesso a equipamentos, ampliando horizontes, em que gerações de novos artistas buscam novas possibilidades de interpretações.
Um documentário de Dácio Pinheiro, Denis Giacobelis e Paulo Beto
Onde: Spcine Olido: 16/06 – 16h
- Z Largo da Batata: 18/06 – 21h | Sessão seguida de show, às 22h30. - Cine Matilha: 20/06 – 20h
Direcão: Dácio Pinheiro
Co-Direção e Fotografia: Denis Giacobelis
Direção Musical e Pesquisa: Paulo Beto
Producão Executiva: Chica Mendonça, Dácio Pinheiro e Tom Ehrhardt.

Watch trailer here: 
https://vimeo.com/341586177?fbclid=IwAR3jkJIrMACcMNDhD5T-cnWarU9mb8Jz_JFDcSMt6C0SCJ7EJqrTuMQK00c

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Monday, 3 June 2019

A examinadora de papéis

Ela USOU
USOU contra mim
AQUELA
PARTE
AQUELA FALA
Aquele verso
onde eu disse
QUE NO PASSADO!
ja tinham me dito que eu era muito político...
E deveria nao ser tanto
Nao ser TANTO
E eu no tempo da ação acreditei
que estava em comunhão
incorporado, incorporando
com o corpo
a linguagem que não chega
No abecedário internacional passional do terceiro mundo que vai explodir
Quem tiver de sapato não sobra

ELA
A examinadora de papéis
A examinadora sem cordéis
Preenchendo o formulário
Revisando o formulário
Dando voz ao formulário
O formulário escapulário


QUESTIONANDO O FOCO
o meu foco
o foco
o foco do ponto em que ela não vê
É PARA SUGERIR UM CONTEXTO MAIS RICO, claro.
e ATUAL
Atualizando o que não sente
Atualizando o que nao vive
Na redação da Universidade Branca Inernacional
Com seus capitães do mato.
Todos lá
Consagrados
Arrumadinhos
Cagando regra
e examinado, examinando.
Diga 33.




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Wednesday, 15 May 2019

Illicitly undefined from cradle to death, and in the heat of a mixed sauna

Illicitly undefined from cradle to death, and in the heat of a mixed sauna
#lickmyfavela #tropicalmutantpunkfunk #tetine


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Wednesday, 8 May 2019

QUANTOS GRAUS?

Tá quanto
na medição de dor?
De dor em dor
Voce?
quem? eu, ele, ela, eles
Tá quanto
na chapa quente?
Fumegante-delirante
Ta quanto? Dinamite-aliviante
Quando?
Como?
Como você em pé.

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Friday, 26 April 2019

TETINE'S WORKS CENSORED IN FASCIST SAO PAULO.

Last week TETINE were censored by a white male misogynist-hygienist manager in a hierarchical vertical command of a building that was once an institution of real pleasure, magika, sex and dream, not a commercial architectural doll of hashtags in the form of a shopping mall. This is how our two FEMININE 'pieces' "Wild is the Wind" and "All the Mornings of the World'"- the first on the murder of women during the military regime and the second one, a temporal/terminal map of life, gozo and death, orchestrating the circulation of emotions in the centre of São Paulo during the late 80s and early 90s, during which time the two of us lived in the central zone of SP [Eli at the COPAN building and at Louvre for a while, and I at Praça da Bandeira with Rua Santo Antonio and Av. Nove de Julho on the Saint Patrick building, the one glued to Ed. Joelma] - were torn from the COPAN wall where they had been living for a week and a half as part of exhibition 3 Act - o verso, led by the Museu do Louvre Pau Brazyl.

The fascist asshole is called Affonso with two Fs. He felt offended by the content and told the organisers that the wall was his. Could not bear the WOMEN,  the mapping of the saunas, the friends who died of AIDS, the porn cinemas, the bathrooms, the galleries, the cancer, the melancholic happiness of Anhangabaú, the late night bars, the restaurants. And then said COPAN is A-political. The Museu do Louvre Pau Brazyl had permission to display the works and re-installed both works.  A little later they were plucked by the wall again.

This is to inform that next Thursday May 2nd at 14;30 at Praça Roosevelt we will release our black semiotics, that is the kites of the two works in a visible and transparent action BY THE AIR in collaboration with the children of CASA 1. This work originated during the process of residence at the Louvre Pau Brazyl in November last still in 2018 during the Trials of the Third Act.
The air is still yours.

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